September 6, 2013 to January 5, 2014
725 Park Avenue,
New York, NY 10021
“The first major international loan exhibition of Iranian modern art created from the 1950s to 1970s. Showcasing more than 100 works by 26 artists, the exhibition illuminates Iran’s little known pre-Islamic Revolution era when Tehran was a cosmopolitan art center, artists were engaged with the world through their participation in the Venice Biennale and other international art festivals, and their work was collected by institutions inside and outside of Iran. The paintings, sculpture, works on paper and photography included in the exhibition are organized thematically to map the genesis of Iranian modernism and argues that the development of modernist art is inherently more globally interconnected than has been previously acknowledged.
The exhibition comprises works by the following artists: Ahmad Aali, Abbas, Massoud Arabshahi, Siah Armajani, Mohammad Ehsai, Monir Shahroudy Farmanfarmaian, Mansour Ghandriz, Marcos Grigorian, Ghasem Hajizadeh, Nahid Hagigat, Bahman Jalali, Rana Javadi, Reza Mafi, Leyly Matine-Daftary, Ardeshir Mohassess, Bahman Mohassess, Nicky Nodjoumi, Houshang Pezeshknia, Faramarz Pilaram, Behjat Sadr, Abolghassem Saidi, Sohrab Sepehri, Parviz Tanavoli, Mohsen Vaziri-Moqaddam, Manoucher Yektai, and Charles Hossein Zenderoudi.
The exhibition is organized thematically into the following sections: Saqqakhaneh—looking at the neotraditional style inspired by Iranian folk art and culture—abstraction, and calligraphy, with a monographic focus on selected artists within each section. An archive room will provide background on the history, politics and culture of the period, including primary source documents, posters, ephemera and a timeline of key political and cultural events. Iran Modern is curated by independent scholars Fereshteh Daftari and Layla S. Diba.”
Modern Iranian Art
Selections from the Abby Weed Grey Collection
September 10, 2013 to December 7, 2013
Grey Art Gallery, New York University
100 Washington Square East, New York, New York 10003
“Highlighting the creativity of artists who drew on their cultural heritage to redefine Iran’s visual identity during the decades leading up to the 1979 Revolution, Modern Iranian Art: Selections from the Abby Weed Grey Collection at NYU presents key works of Iranian modernism from the 1960s and ’70s. Housed here, these paintings, sculptures, drawings, and jewelry are part of the Abby Weed Grey Collection of Modern Asian and Middle Eastern Art, and comprise the largest public holding of Iranian modern art outside Iran.…Abby Grey amassed nearly 700 pieces—representing countries as diverse as India, Turkey, Japan, Nepal, and Israel, as well as Iran—on numerous trips to Asia and the Middle East to promote cross-cultural exchange. In each country, she sought out artists who were in tune with international artistic developments.
In Iran, she gravitated toward those who were grappling with how to reconcile their modern sensibilities with their Persian roots. Inspired by classical Persian poetry, calligraphy, and miniature painting, they were also appropriating images from Shiism, the dominant form of Islam in Iran, to convey abstract concepts. Many of them were active in the Saqqakhaneh School of the 1960s, which was named for the traditional public shrine-fountains where water is stored. On view here are major early works by some of the best-known modern Iranian artists, including Siah Armajani, Kamran Diba, Faramarz Pilaram, Parviz Tanavoli, and Charles Hossein Zenderoudi, among others.
A number of important works from the Abby Weed Grey collection are included in Iran Modern,…that is on view at Asia Society in New York.”
Mohammad Ehsaei, Untitled, 1974
Oil on canvas, 47 1/4 x 31 1/16 inches (120x 79 cm).
Collection of the Artist.
(On view at Asia Society)
Parviz Tanavoli, We are Happy Locked within Holes, 1970
bronze on travertine stone base
30 x 7 1/4 x 10 3/4 inches (76.2 x 18.4 x 27.3 cm) (including integral base)
Grey Art Gallery, New York University Art Collection
Gift of Abby Weed Grey, G1975.56
(On view at Grey Art Gallery)